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Test Pattern Retuned

All right then. Enough complaining, time for repair. Here’s a redrawing of the graph along sane principles.

Test Pattern redrawn

The Computer/No Computer values weren’t in the text of the article - I had to rely on the original graph, so I don’t know if they’re right. Why not? Because of the 3D bars. Here’s the problem. top of bars Do you measure to the top of the colour bar (the 2D shape) or the curved edge of the bar (the 3D shape)? Fortunately we have a rosetta stone in the first graph. The values in the text are: TV: 53, 48, 51 -versus- No TV: 63, 55, 60
In the graph it’s reversed, but the gold bars match 53, 48 and 51 - not at the top of the colour bar, but at the edge of the curve. OK, so they’re treating the bars as 3D. If you read the entire colour bar you’re giving the students 2 extra marks each. Let’s double-check with the purple bars… we get 63, 55, 58. So those are all 3D bars except the last one, which you must read as a 2D bar if you want the correct number (60).

So - it looks like the designer doesn’t know where the ends of the bars are either. For my graph I’ve taken the values as if they’re all 3D bars, pretty much. But in the end, there is no reason to have any confidence at all in the data as portrayed by the original graph.

Comments are welcome - including further redrawings if you think you have a better idea how to portray this data. Stay safe, and don’t believe anything you see in the paper.

3 Responses to “Test Pattern Retuned”

  1. andrea steinfl Says:

    karmanaut, I would add just a few words, without a drawing, at the moment. If I find time I’ll post one in the next days. Nevertheless, i believe it is possible (and necessary and important), to see the information design issue you present, also under a different point of view. A dramaturgic point of view, that comes out of the relation between the data and the text. If I look at things this narrative way, the data tells: The best students are the ones that do not have TV in their bedroom. The survey in itself is not brillant, because it is highly imprecise and doesn’t tell anything really (ok, I don’t have a TV in my bedroom but I have a computer, and then?), but nevertheless, let’s play the game. The main question is (in this case): Who are the best students? And the graph should first of all answer this question, without esitation. So, (starting from your redesign) first of all, I would change the order on the X-axis and put them in ascending order of results. This way the order would be: a) no computer, b) bedroom TV, c) computer and d) no bedroom tv. this way, the impact of the graph will immediately tell the story. This would be just the first of a series of small redesign issues that take into account the precision of visual representation of the data and the need to comunicate effectively. I believe information design is first of all building conversations, between data, information and human beings. And we like stories that are well told and learn faster through them. I apologize for my poor english. All the best from rome.

  2. viveka Says:

    Thanks Andrea, and welcome! I’m honoured to have such an accomplished designer visit my little blog.
    I like your point about the use of narrative in information design. I’m a little concerned it would tell a false story - from the article it sounds like we’re dealing with four groups of children, measured all at once; not a single group measured over time as their conditions change. However I think that since there’s no explicit time sequence, it wouldn’t do any harm and would at least simplify the reading.

  3. viveka Says:

    OK, I’ve redrawn again as suggested. I also realised that my version above is not accessible to the colour-blind, so I’ve added somee more distinguishing cues to the data points. I agree, this is more readable.
    Test scores of children who have computers but do not have TVs in their bedrooms are, in fact, heigher than those children for whom the converse is true.